Ever take a shot at the dark? The tendency of many photographers is to take photos with the sun at their back so their subject is fully illuminated. Another approach is with the sun directly in front, but eclipsed by your subject. This usually results in a silhouette, which can make an intriguing image.

A long shadow can make an arresting image as well. You may want to compose for only a shadow; compose to provide a glimpse of a subject and its full shadow; or compose to include both the full subject and shadow.  In the latter case, the subject is often off-center, but because its shadow is included in the composition, it is balanced. The asymmetry alone may make an engaging photo.

If shooting shadows, look for bold and simple shapes. The best shadows are cast early or later in the day when the sun is low and the day is clear.  Try looking for abstract as well as literal shapes.

Shadows are usually the subject of “low-key” photography. A low-key photo is one in which the average brightness is much less than 50%. Highlights, or bright areas are minimal and only hint of the subject.

Low-key photos, or photos shot in “half-light,” are often perceived as tranquil, somber, sad, pensive, or dramatic.

As with shooting shadows, a low-key photographer will find the best light when the sun is low. Sometimes natural light can be mixed with artificial light. Since shadows dominate at these times, expose for the bright areas so they are clearly defined.