“Visitor in Red” —a photo as enduring as a tugboat

Visitor in Red

When I photograph, I work a shot from many angles until I get a “sensation” that when I press the shutter release, I captured the spirit of the scene that originally caught my attention. I don’t analyze each composition as I frame a shot. It’s more intuitive. It’s more by “feel.” And if I choose to print an image, it’s rare that I know an image has staying power. So when I first printed “Visitor in Red,” I made it a limited edition of 8o, in addition to a few artist’s proofs.

This scene was shot the day before St. Patrick’s Day (2007) in Northport, NY. I was walking my dog in the park about mid-day as it started to snow. I heard and felt a subtle rumbling. I turned my eyes to the harbor. This red tugboat was making its way toward the docks. I put my dog in the car, got my camera, and photographed the tug for about 40 minutes as it maneuvered to tie up and settle in. I got all angles, but this is the one I chose to produce.

After seven years, the photo still sells. Like a tug, the image has pulling power. I’ve heard from viewers they had a red tugboat as a child. Or their grandfather worked on tugs. Or they love Northport and this is a scene they’ve never witnessed. And so forth.

In my constant search to understand why an image resonates with some of us, I’d like to explore the composition and give a shot at interpreting it.

Composition

Color. With the exception of the red tug, the color palette of this photo is subdued green, brown, and yellow. This lends for a dramatic contrast imparted by the tug.

Leading lines. Implied lines are those created by visually connecting like elements as if one were “connecting the dots,” or stars in a constellation. I see three series of lines in the photo. One set, the pilings, directs your eyes to alongside the tug. The lit lanterns, from left to right, take you directly to the tug. All this under the four seagulls, which if “connected,” cups the scene, as if a visual canopy.

Balance. Although the tug is off to the right, it is visually balanced by the receding line of the lanterns’ yellow glow. I don’t think I’d get the same sense of equilibrium had the lanterns been off.

Interpretation

It’s probably what a tugboat represents that contributes to the appeal of this photo. There’s authenticity in the design of a tug. They are designed and built for utility. Function trumps fashion, trend, or vogue, to the point where “utilitarian” becomes an attractive look itself (as long as it’s for real).

A tug is designed to pull and push large barges and ships in all kinds of weather. Its purpose requires dedication, reliability, strength, persistence, and a courageous crew—all traits we respect and perhaps identify with.

A simple portrait of a moored tugboat may evoke similar interpretations. But I think such a portrait needs to be in an interesting composition, or visual milieu, to render an image as enduring as the tug itself.

“The Green Pram” —a photo by Jennifer Lau

jennifer-lau-green-pram

My fellow Firefly artist-photographer, Jennifer Lau, is currently exhibiting her work at The Wine Cellar on Main in Northport, NY (70 Main Street). Among her photos is a series of small boat images, one of which caught my eye. This green pram is striking because of is simplicity, form, and color.

First, the simplicity—one boat, one dock. The background is dark which eliminates visual clutter. We don’t see the whole boat. No need to. It makes its presence known without monopolizing the composition. Cropped so, it balances with the dock in terms of visual proportions.

In terms of form—The shapes and lines are very pleasing, harmonic in a way. There are two primary vertical lines and one horizontal line, all three of which visually stabilize this photo. The rope on the left, strung taught between the two dock bollards like a guitar string, and the bow of the pram are vertically parallel. The horizontal lower edge of the dock “grounds” the image. The rhythm and repetition of the parallel dock planks contribute to the overall harmony.

Use of color—Other than the green pram, this image is primarily monochromatic. Coupled with the simplicity of the composition and harmonic play of lines, the color adds balance, interest, and pull.

To see more of Jennifer’s work, visit The Firefly Artists gallery at 180 Main Street or, until  January 6, 2015, The Wine Cellar on Main.